Conservatism after Bostock
Pagans attack Statue of St Boniface in Devon
Archdiocese of Munich in bizarre stunt with monstrance
My latest on LifeSite.
Western Civilisation has got to go!
My latest on LifeSite.
Read the whole thing.
J.K. Rowling faces down the mob
My latest on LifeSite
Read the whole thing.
Guild of St Clare sponsorship for RSN Embroidery Certificate
|Crewel work completed by our first sponsored
student, James Sharpe
Cross-posted from the Guild of St Clare blog.
In 2019 the Guild of St Clare made the first award under its Sponsorship Scheme to help a student through the Certificate Course at the Royal School of Needlework. Our sponsored student has made good progress, and as he enters his second year of part-time study, we can start sponsoring a second.
The deadline is 22nd June.
The RSN Certificate Course takes between one and four years, depending on how intensively students wish to do it. Its great flexibility makes it ideal for those who can only spare limited time, or whose availability fluctuates over the year. The Certificate gives its graduates a thorough grounding in a range of traditional hand-embroidery skills, skills for which the RSN is renowned, and which its experts apply to historic restoration projects and important commissions.
Sponsored students will be able to reclaim half the cost of their tuition days, up to a maximum of £2,000 a year (September 1st to September 1st), subject to satisfactory progress in the Certificate course, and their attendance at least one of the Guild’s two annual Sewing Retreats. Students at the RSN have to pay for tuition days when they book them; they would be reimbursed at that point. Progress will be monitored by reference to the successful completion of each module, and the reports which are provided by RSN tutors on each piece of work.
More information, and how to apply, can be found here.
Communion and Covid: from the Una Voce Federation
Singing and the Coronavirus
|The Schola Abelis, Oxford's Gregorian Chant Schola, shrouded in incence
in the rather roomy 'tribune' (choir loft) at Blackfiars back in 2018.
Some potentially good news: there is now some evidence that the idea that singing is a specially dangerous activity in the context of the pandemic is false.
At the outbreak of the pandemic very little relevant research existed, but some has now been done: this paper, awaiting its peer-review, is at least a hopeful sign.
One of its key points is that singing does not spread air--and therefore anything carried by air such as viruses riding on droplets of water--very far:
The experiments clearly show that air is only set in motion in the immediate vicinity of the mouth when singing. In the case of the professional singer, the experiments showed that at a distance of around 0.5 m, almost no air movement can be detected, regardless of how loud the sound was and what pitch was sung. It is therefore unlikely that the virus could spread beyond this limit via the air flow created during singing. Amateur musicians who do not use the diaphragmatic breathing most commonly used by professionals when singing, but rather the natural chest breathing, do not get beyond this range either. By singing a very loud and long sequence of the same tone at about 2 Hz, a slightly wider spread of air movement could be achieved.
From: "Singing in choirs and making music with wind instruments ‒ Is that safe during the SARS-CoV-2 pandemic?" by Christian J. Kähler (Prof. Dr.) and Rainer Hain (Dr.) Institute of Fluid Mechanics and Aerodynamics, University of the Bundeswehr Munich, Werner-Heisenberg-Weg 39, 85577 Neubiberg, Germany.
The hope is that the issue with choirs will be social distancing, contrary to the cramped conditions many choirs frequently have to endure both in rehearsal and performance, but not the act of singing itself.
Marriage to end in the UK: with a wimper
Cardinal Koch and the amalgamation of rites
|An Altar Missal defaced to keep it up to date with the
liturgical changes of the 1960s
Cardinal Kurt Koch has taken up an idea which floats into the Catholic press every now and then, that the Extraordinary Form should be merged somehow with the Ordinary Form. Here in German, quoting the Cardinal at the end. The money quote (thanks to Google Translate) is
'The Eucharist is the central celebration of the unity of the church. It cannot have this meaning
when there is argument and confrontation around them.'
In that case, perhaps the extremists among the liturgical progressives should stop attacking the EF's right to exist. If they can't do that, I can't see them rallying around a rite which is a 'synthesis' of the two, and the conflict would continue: as it does, indeed, in practically every diocese and religious community where only the Ordinary Form is celebrated.
I followed this up with another piece on this blog which can be found here.