Chairman's Blog
The intolerance of the tolerant towards Judge Barret
My latest on LifeSite.
A member of presidential candidate Joe Biden’s staff made a revealing statement on Twitter the other day. Arguing that Amy Coney Barrett reportedly believes that the husband should be the head of the household, someone pointed out that this is also part of the traditional faith of Jews and Muslims.
Nikitha Rai (@RaiNotWheat), deputy director of data for the Biden campaign, replied:
True, I’d heavily prefer views like that not to be elevated to SCOTUS, but unfortunately our current culture is still relatively intolerant. It will be a while before these types of beliefs are so taboo that they’re disqualifiers.
She’s deleted her account, but the internet remembers.
Sir James MacMillan becomes Patron of London-based choir Cantus Magnus
Support Sacred Music in London and Offer Masses for Your Loved Ones
Cantus Magnus, a professional sacred music choir under Matthew Schellhorn, is announcing a scheme whereby anyone can ask for a Sung Requiem Mass to be celebrated for their loved ones, to be fitted in to or added to the regular EF Masses which are celebrated in London.
In Defence of Primary Educators: a protest against Sex Ed in Catholic schools
Below is a piece I've written for LifeSite on the campaign against Sex Education in Catholic schools. Our Coalition in Defence of Primary Educators now has a website, and with LifeSite we have created the following video.
Last week, on the Feast of the Holy Name of Mary, I knelt with two others in front of Westminster Cathedral, the magnificent Byzantine-style mother-church of the premier diocese of England and Wales, and the seat of Britain’s only Cardinal, Vincent Nichols. We prayed the Rosary together for our bishops. We had already written to them: we, and supporters or our three organisations, which have come together for this cause—the Society for the Protection of Unborn Children, Catholic Man UK, and the Latin Mass Society, of which I am the Chairman—and we received formulaic responses from most of them, telling us that everything will be fine.
But it is already not fine, and we can all read for ourselves the legislation and official guidance which will before long be enforced on schools under our bishops’ authority, which will make things even less fine. For this legislation is imposing a program of “Personal, Health, and Sex Education” (PHSE) which demands that choosing not to kill the child in the womb is just one acceptable option among others, and that Christian marriage is just one life-style choice alongside same-sex unions, and every other possibility. We know from the lesson-plans, produced not only by the Government but by the Bishops’ own agency, the Catholic Education Service, that children in schools claiming to be Catholic and funded in part by Catholic offertory collections are already bullying, browbeating, and shaming children who dare to give voice to their instinctive regard for natural marriage. This approach will be rolled out and enforced with greater and greater rigor when the new legislation comes into force next year, after a delay caused by the Coronavirus.
Schellhorm Prize for sacred music composition
The Trustees of the Schellhorn Trust are pleased to announce the 2020 Schellhorn Prize for Sacred Music Composition competition.
Classical pianist Matthew Schellhorn founded the prize in 2014 in memory of his parents to foster artistic endeavour and encourage excellence in the Sacred Liturgy. The inaugural Prize was awarded in 2015 and was won by Marco Galvani.
The Schellhorn Prize for Sacred Music Composition competition is announced for 2020 and will be held in December with the winning entry performed on Christmas Eve.
The panel of judges for the 2020 Prize will include:
Mr Matthew Schellhorn (Chairman)
Diana Burrell (composer)
Marco Galvani (composer; Yehudi Menuhiin School)
Dr Peter Kwasniewski (composer)
Professor Nicola Lefanu (composer)
Mr Andrew Morris (Pastmaster, Worshipful Company of Musicians)
Mr Tim Watts (composer; Affiliated Lecturer, Faculty of Music, University of Cambridge & Sub-Director of Studies in Music and Teaching Associate, St John’s College, Cambridge)
The Schellhorn Prize for Sacred Music Composition is supported by The Latin Mass Society of England and Wales.
Guidance for entry
What does the Prize offer?
One £400 prize will be awarded in 2020.
The winner will also have his or her composition performed by a professional choir in the context of the Sacred Liturgy of the Catholic Church according to the Missal promulgated by Pope Saint John XXIII in 1962.
In 2020, the composition will be performed during Mass on Christmas Eve at St Mary Moorfields Catholic Church in the City of London. (Should the Covid-19 situation preclude this performance, another performance opportunity will be arranged.)
Who is it open to?
Composers aged between 18 and under 30 or under on the closing date, regardless of nationality, who are studying, or have studied, at any conservatoire or university in England or Wales.
What are the entrance requirements?
A piece for a cappella SATB choir (four parts, non-dividing) using any Latin Eucharistic or Christmas-themed text (excluding the text of the Mass) must be submitted with the completed application form.
The piece should be no longer than 5 minutes long and should not have received its premiere.
The piece should be accompanied by a copy of the text and a summary in no more than 200 words of the work's artistic rationale.
Proof of age and of educational status from your place of study are also required.
How do I apply?
Download an entry form below.
Applications must be made on the official form and emailed to the address given.
As a contribution to the administrative costs of the award, an entrance fee of £5 per piece is payable.
Members of the Latin Mass Society and those in full time education at the closing date are not required to pay the entrance fee.
When is the next closing date?
Entries should be submitted by Monday 7th December 2020 at 5pm.
When will the winner be announced?
The Winner (and Honourable Mentions if applicable) will be announced on Monday 14th December 2020.
Westminster Cathedral Choir is in peril
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| Westminster Cathedral: the LMS Annual Requiem |
The saga of Westminster Cathedral Choir School claimed a fresh victim last week with the resignation of another senior employee, the Music Administrator Madeleine Smith. Like the Director of Music, Martin Baker, she was unhappy about the sidelining of the choir at England’s premier Catholic Cathedral. Baker resigned late last year, and was absent from Christmas services. There was no official explanation, and he has not been replaced. What is going on?
Westminster Cathedral Choir is served by men and boys, in the ancient Catholic tradition. The boys attend a school set up specially for them by Cardinal Vaughan, the founder of the Cathedral, in 1902. He wanted to have something in his new Cathedral equivalent to the great choirs of the Anglican Cathedrals, which commonly have their own schools—boarding schools—so the boys can be recruited from a wide area and are available to sing on Sundays. Vaughan’s vision was realized, and Westminster Cathedral Choir is famous. It is, or was until recently, at least as good as the best Anglican Cathedral choirs, such as those of Westminster Abbey and St Paul’s, and in the context of the global melt-down of Catholic sacred music since the 1960s, it was regarded as the best Catholic Cathedral choir in the world. Westminster Cathedral was the only Catholic Cathedral in the world to have a Sung Mass every single day: again, until recently.
Just as Cardinal Vaughan and other Catholic leaders over millennia wanted to build the most beautiful churches possible, and have in them the most moving devotional art, so too they wanted the best sacred music. The greatest achievements of the human spirit should be offered to God, and our acts of worship should be clothed in the best we can offer Him. Art and above all music has the power to touch the heart, to get through to us when words fail, to express our awe, our joy, and our sorrow, and as Pope John Paul II expressed it, can be ‘an echo of the Spirit of God’ (Ecclesia in Europa (2003) 60).
I know this kind of argument confuses some people. If the best we can do is not all that great, it will be acceptable to God: because, yes, He looks at the heart. If the best we can do is reserved for mindless secular entertainment or commercial ends, God will be less impressed. What does it say about us as a society that the best efforts of artists are devoted to making violent and immodest films? What does it say about us as individuals if our home entertainment systems are more expensive than the altar furnishings in our churches?
So what has happened in Westminster Cathedral? As reported in The Times, the key change has been a new Head Teacher of the Choir School, of which the choristers now only represent 10%, who has abolished full-time boarding for choir members. Allowing them to go home on Saturdays may seem uncontroversial, but in fact they are obliged to go home, so the school is no longer able to accept pupils from outside London, and Saturday rehearsals for Sunday services are impossible. As has been pointed out by many distinguished Catholic and non-Catholic musicians, the quality of the singing cannot be maintained under this regime.
Why would the authorities, bequeathed Vaughan’s astonishing legacy, not wish to make the most of it to raise worshippers’ hearts to God in prayer, and to draw non-believers into the Church? Knowing the debate as it has played out on these issues over decades, it is clear that there are two factors in play.
One is the desire of the school’s new leadership to make it a commercially and academically successful school. The emphasis is on getting the pupils, who leave at the age of 13, into elite “Public” (i.e. independent) schools such as Eton, where many of the UK’s Prime Minsters have been educated, including the present one.
The other is that, in the context of this temptation, Church authorities have no strong interest in maintaining the choir’s ability to sing to a world-class standard. Normally they would find the idea of competing with posh private schools a bit embarrassing, but they evidently find the idea of an elite choir even more so. The choir’s unique ability to sing the most complex and sublime pieces of the Catholic patrimony of Sacred Music in the way they were intended to be sung—by boys and men, rather than using adult professional female singers—pushes the Cathedral down a particular liturgical pathway which is not particularly congenial to them. They pay lip-service to the value of the choir but in some ways would be happier with a third-rate choir singing the kind of third-rate modern music which makes many Catholic worshippers flee for the hills. (I’ve written about the love of the mediocre here.)
We can only hope that some sanity returns before the damage to Westminster Cathedral Choir becomes irreversible.
Support this Angelico Press project: the Vulnerary of Christ
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What are the defenders of 'Cuties' really saying?
My latest on LifeSite. A highlight:
I’m not going to review Cuties because I’ve not watched it, and I have no intention of doing so. What I can comment on is the reaction to it, particularly those of people defending it. One might expect defenders of the series to claim that it does not endorse what it depicts — sexualized dancing by underage girls — and they do say this, up to a point. But actually, they do want to endorse it. Here is the New York Times reviewer, Richard Brody:
The subject of “Cuties” isn’t twerking; it’s children, especially poor and nonwhite children, who are deprived of the resources — the education, the emotional support, the open family discussion — to put sexualized media and pop culture into perspective.
What does this story tell us, exactly? Brody patiently explains that in the oppressive, patriarchal society these girls are supposedly part of, despite their complete lack of supervision or effective moral formation, their adoption of sexualized dancing is a way of rebelling and establishing their own identities. So it’s actually good. But it’s also bad, because they are doing it only because they lack resources and education, and are oppressed.
More about Downside
In 1993, a Benedictine monastery, Fort Augustus Abbey in Scotland closed the school that had been its major work since its foundation in 1880, though latterly plagued by allegations of child abuse. In 1998, citing the high cost of maintaining the monastic buildings, the community itself was dissolved, its members dispersing to other monastic communities.
A similar process is now taking place with another Benedictine community, Downside Abbey in England. In 2019, the community was legally separated from the school which had existed alongside the monastic community since 1617, at that time an English Catholic institution in exile on the Continent. School and monastery have shared the current site in southwest England since 1814. But now it has been announced that the monks will be leaving: exactly when and to where has yet to be determined. The monastic buildings were designed for fifty monks, and the community is down to eight, with little prospect of new members. It is expensive to maintain, and co-existing on the same site as a school they no longer run is awkward. It is time, apparently, to move on.
The problems these institutions have had with vocations and with their schools are distinct, though entangled. Britain’s fee-paying boarding schools have had a difficult time in recent years, but many continue to flourish. It seems that they will do so without such a strong contingent of Catholic monastic schools among them as in the past. The more fundamental problem for these and many other communities has been the lack of vocations.
Downside: Open Letter from Fr Christopher Basden
OPEN LETTER OF APPEAL TO DOWNSIDE
On behalf of untold people throughout the world I write to appeal against the monks of Downside surrendering to the current zeitgeist and leaving their monastery. Downside is part of the fabric of English Catholic history. The restoration of the Catholic Church and of monasticism is one of the great victories of Grace after the horrendous rape and interruption by Henry VIII in the 16th Century. We appeal against this decision in the face of a more insidious enemy: that of secularism, relativism and modernism which destroys the Church from within.
Surrendering does not solve the problem. We have faced enemies before and a flight or dispersal to another location(s) is simply the recipe for swift extinction as we have seen previously (Fort Augustus and countless female communities). Have we no faith in the grace of God and the irresistible attraction to the consecrated life and the eternal truth of the Catholic Church?
Let us look at the success stories in the otherwise devastated vineyard of the modern Church. The French Abbey of Fontgombault have made five successful foundations in the last forty years; Randol, Triors, Pyrenees, Clear Creek in Oklahoma (which after twenty-one years is making moves for its own foundation) Wisques. What is the secret of Fontgombault? Simply - traditional Catholicism from observance to worship to belief. This is true also of the Benedictine Communities of Le Barroux (with its foundation near Toulouse), Norcia in Italy, Silverstream near Dublin and countless other smaller communities in the USA.
I can hear the immediate scornful repudiation that this simply going backwards. In so many fields we have to go back to rediscover the genius of our respective traditions from Education to Architecture to Entertainment. We have to have the humility to admit mistakes in seeking renewal and modernity.
Look at the great Empire of American Catholic University Education. With the infamous “Land of Lakes” Agreement of 1967, Catholic universities in the name of renewal and academic freedom surrendered their distinctive Catholic identity to the forces of modernity and secularism. This resulted in a disastrous cessation of vocations and a complete erosion of the ordinary regular transmission of the practice of the Faith from one generation to the next. Fifty years later the great Catholic Universities are Catholic in name only, often benefiting by federal money but no longer bearing fruit for God’s Church. Starting again from scratch there are five Universities (Ave Maria in Florida, Steubenville, Christendom, Thomas More and Thomas Aquinas). What is the result? The transmission of a confident, orthodox faith to the younger generation and the spawning of Catholic marriages and a huge variety of consecrated and ordained vocations.
If you have an allergy to undiluted Catholic tradition, then distil it slightly. Go for orthodoxy and challenging observance. If you are wedded to the Second Vatican Council, then follow its central and novel precept: ‘The Universal Call to Holiness’. Sanctity and schools of The Lord’s Service are simply irresistible! There are so many dioceses and religious groups (Community of St. Martin in France) which are merely conservative and not traditionalist. If we want to conserve the precious treasure of the Catholic Faith and all of its fruits, we simply have to move towards this direction even if not espousing it completely.
It is said that there is no unity in community today. We have to surrender our differing individual preferences to the Science of The Saints to ensure the hermeneutic of continuity and not of dissipation. We have to unite in order to preserve; we have to surrender our own wills to forestall the disintegration of the Institutions of the Catholic Church.
One example from our otherwise devastating English monastic scenario – Parkminster, our only Charterhouse. In 1990 my dear late friend, Dom Bernard O’ Donavon, then Prior, felt they simply could not go on. They were down to eleven old men. The buildings were crumbling all around them. Continual Postulants and Novices simply came and went with none persevering for almost twenty years. The wisdom was that they were finished and that they would have to move. Thankfully, a higher wisdom intervened, Dom Cyril Pierce took over and as a remarkably successful Master of Novices at The Grand Chartreuse (twelve men to solemn profession) also oversaw a confident formation of new men. In addition to this he oversaw lottery funding to repair the sorry state of the monastery. Thirty years later they have twenty-seven monks. It takes but one man with the vision and determination and grace to succeed.
Why do we have to see our Catholic Church in this country despoiled? Why do we have to despair in the face of secularism, so called modernity and the ugly rotten fruits of the sexual revolution which have infected and corrupted our morals and our minds? Many mistakes have been made. Can we not learn for our mistakes and proceed humbly towards a better future?
Fr Christopher Basden, Parish Priest of Ramsgate and Minster, England